Wednesday 17 November 2010

The History Of India Buildings, Water Street Liverpool.

Update November 2022

At the time of updating November 2022 The building is closed and all the HMRC staff had been told not to come into work due to a massive leak. Which will have done great damage to the structure. This is what happens when greedy people who are only interested in money are in charge.

All the care and attention that was given to the building. What a complete and utter mess.

HERBERT ROWSE THE ARCHITECT OF INDIA BUILDINGS WILL BE TURNING IN HIS GRAVE.
INDIA BUILDINGS HAS BEEN BUTCHERED BY LEGAL AND GENERAL (THE DEVELOPMENT ARM OF THE FAMOUS INSURERS).
THEY PURCHASED THE BUILDING FOR AROUND £120,000,000 FROM MARWEES LTD. A BRITISH VIRGIN ISLAND OFFSHORE BASED COMPANY WHO PURCHASED IT FOR £17,000,000. MAKING A MASSIVE PROFIT.......THAT THE TAXPAYER WILL ULTIMATELY PAY FOR! 
As soon as they purchased the building MARWEES set about evicting all the tenants in a disgraceful act of greed. 
People who had run businesses there were evicted as if they were dirt. Read More Here.
MARWEES  employed a pair of Henchmen. Father and son duo Brian and Mark Rabanowitz of Shelborn Asset Management.
They subsequently slid around, behaving like gangsters, ruining the lives of many of the tenants.......for the HMRC. Read More Here

INDIA BUILDINGS WAS DESCRIBED BY PEVSNER AS "MAKING BURLINGTON ARCADE LOOK PEDESTRIAN". 
IT IS A TOTALLY UNSUITABLE BUILDING IN WHICH TO SHOEHORN IN A GOVERNMENT DEPARTMENT. NO PARKING FOR STAFF OR CLIENTS.
THIS HAS MEANT THAT THE ARCHITECTS HAVE SMASHED HOLES THROUGH THE WONDERFUL TRAVERTINE MARBLE THAT LINES THE GRADE II LISTED HOLTS ARCADE.

SOME TIME BACK A CAMPAIGN  WAS RUN TO SAVE THE ARCADE FROM CLOSURE. THIS LED TO THE UPGRADE TO GRADE II* FROM GRADE II.
THIS SHOULD HAVE GIVEN IT PROTECTION BUT IN LIVERPOOL, A CITY WHERE THE MAYOR JOE ANDERSON AND HEAD OF REGENERATION NICK KAVANAGH WERE RECENTLY ARRESTED. IT IS HARDLY SURPRISING THAT SUCH AN ACT OF CIVIC VANDALISM WOULD TAKE PLACE. Read More Here
UNFORTUNATELY THE PUBLIC WILL NEVER BE ALLOWED INSIDE AGAIN. 
THE LUFTWAFFE COULDN'T DESTROY IT, BUT MARWEES AND THIER HENCHMEN HAVE.

Of recent dates there has been an large amount of controversy surrounding this majestic structure. Once owned by Britains Poker playing Walter Mitty who was sent down for fraud of which India Buildings was part thereof. Read More Here.
Green Property Group purchased the building for less than the £17,000,000 the paid for India Buildings. Read More Here

INDIA BUILDINGS WAS UPGRADED TO GRADE II * BY ENGLISH HERITAGE. Read More Here

The Site The block of offices known as India Buildings, which was completed early in the year 1931, occupies an island site, facing the main thoroughfare of Water Street and Brunswick Street and with side frontages on to Fenwick Street and Drury Lane, in the heart of the business and banking quarter of Liverpool and within five minutes walk of Princes Landing Stage on the River Mersey.The name is a historic one in Liverpool. Nearly one hundred years before the date of the completion of the new India Buildings, George Holt conceived the idea of erecting a block of light and airy premises to consist entirely of offices, whereas before then the business transactions of merchants and ship owners had been conducted on the ground floors of private dwellings, or more frequently in dark and dingy "counting-houses" partitioned off from warehouses.
In 1833, the foundation stone of old India Buildings was laid and the handsome structure facing on to Water Street and Fenwick Street and built to the designs of Franklin, the Architect, was completed in 1834. Rumor has it that the walls were made exceptionally strong, so that, if the novel idea of a block of offices were not a success, the building could be converted into warehouses.Well designed and well built it certainly was and presented a dignified appearance until its demolition in 1928.
Old India Buildings occupied, however, less than half the area of the new. A narrow lane called Chorley Street crossed the centre of the new site. India Buildings, Fenwick Chambers, Fenwick Court and The Atlantic surrounded a court yard on the upper side of this lane, while Canton and Commercial Buildings, Seaton Buildings, Cereal chambers and other (later and much inferior structures) came between Chorley Street and Drury Lane.In June , 1922, negotiations were commenced with The Liverpool Corporation in regard to the frontage lines of the new Building. It was obviously essential in the interests of the City that Water Street should be widened, less necessary, but still desirable, that Fenwick Street should be increased in width, while it was decided that the Brunswick Street face line should remain unaffected, as any future widening of this potentially important street would have to be on the other side, so as to bring more into line with Cook Street farther up.The agreement eventually reached provided that Chorley Street should be closed and the site built over and that the building line along Water Street was to be set back eighteen feet to compensate for this privilege.Furthermore, Fenwick Street was to be widened to forty-two feet between building lines throughout (involving a set back of twelve feet at the Water Street end) less 4 ft 6 ins for an area and Drury lane was to be widened by eight feet on the India Buildings side.Permission was also obtained to build to a height of 120 feet to cornice level from the pavement at the corner of Water Street and Drury Lane, exclusive of two stores set back at the above cornice level. This gave room for a basement on the street level at Dairy Lane and about ten feet below it along Fenwick Street, a lofty ground floor and eight stores above this.The Associated Architects for the Building were Messrs Briggs and Thornely F.F.R.I.B.A. and Mr Herbert J Rowse F.R_I.B.A.,Mr J. R. Sharman M.Inst C E ., acted as Consulting Engineer for the steel framework and Mr. A. G. Ramsey, AM.Inst.C.E., for the heating and ventilation.The General Contracts were Messrs. Wm. Thornton and Sons. Ltd., of Liverpool. Messrs Borman, Long & Co., Ltd., supplied and erected the steel framework.



Architectural DesignFor the convenience of Messrs Alfred Holt & co., and other tenants of old India Buildings, it was essential that the new building should be constructed in two separate and independent parts, divided roughly by the line of the upper side of Chorley Street, so that old India Buildings might remain intact until the first part of the new building was completed and ready for occupation.
With this condition in view, a principal entrance was planned at the centre of the Water Street and Brunswick Street faces, with lofty Elevator Hall at each entrance and an arcaded corridor running across the building at ground floor level between them. One wall of this corridor and parts of the Elevator Halls had to be omitted from Part I, the gap being temporarily screened by wooden hoardings which somewhat restricted the public space. On the other hand, there was just room to get in the steel stanchions on that side of the corridor and so to complete the staircases, which were carried up from the elevator halls on each inner face of the building, with Part I.Two light courts are formed above first floor level, running across the main axis of the building, with sky-lights which give light to the main corridor and to the lofty portion of the ground floor on each side. On the upper corridors run from elevator lobby completely round the building, serving on each side of them rooms which are adequately lit from either from the light-courts or from the outside of the block.
The site as finally determined is a quadrangle with the following lengths of fronts:Water Street 214 feet and Brunswick Street (opposite) 210 feet Fenwick Street 257 and Drury Lane (opposite ) 243 feet, but no corner is a right angle.The interior columns are, however ranged on lines parallel to main axes at right angles to each other and the two parts of the building are thus symmetrical in every way from the first floor level upwards, except for the depth between the corridors and the outside walls, which varies uniformly from corner to corner.

War Damage During all the many air raids on Merseyside from August 1940 until the enemy made most determined effort to cripple Britain's main war port in the early days of May 1941, India Buildings received only superficial damage. The raids in May, 1941, proved to be the last real attacks on Merseyside. Unfortunately they were disastrous to this building, which at the time fully occupied by firms whose staff numbered three thousand, nearly all engaged in the war effort.In the early hours of Saturday 3rd May, the enemy attacked the business centre of Liverpool with land mines. In the bright moonlight three of these were observed at different times to be drifting towards the building on a strong south-easterly wind. The first two landed short of the property but the third hit the front of the Com Exchange Building, which collapsed and left its debris piled against India Buildings, completely closing Brunswick Street. The blast of the third mine shook India Buildings and smashed nearly all the windows on the main elevations and in both light courts as well as the fanlights in the corridors. Many of the internal walls were displaced and structural damage was extensive throughout the building. All the buildings to the south and west of India Buildings were also damaged in varying degrees.In the evening of the same day the enemy directed a new attack on the business centre with incendiary and flame bombs. The damaged and now unguarded properties to the south of India Buildings were easy victims. In view of the vulnerable state of the building, the strength of the India Buildings fire fighting party on duty that night had been more than doubled and the one incendiary bomb which hit the building was quickly extinguished. One by one the buildings in the neighborhood were set on fire and the strong wind which was still, unfortunately, blowing from the south east fanned the flames and they rapidly engulfed the greater part of the properties extending from James Street to Brunswick Street. Embers of burning wood were carried by the wind into the windowless building and caused a multitude of small fires on all floors above street level. During the first few hours the buildings fire fighters extinguished these fires as fast as they occurred. Meanwhile, the Corn Exchange and other buildings were ablaze from top to bottom and the flames from the roof of the Corn Exchange, driven by the wind and pulled by the natural draught into the shattered and windowless building, formed a complete bower of flame across Brunswick Street. The only possible counter to this new threat was to us the hydrants provided on each floor, but the pressure of the supply became so low that water was no longer available and the fire fighters were rendered helpless. The second floor was soon gutted and the other floors followed quickly. The fires spread from the Brunswick Street frontage along the Fenwick Street side of the building with remarkable rapidity.The wind then changed direction from south east to east and carried the fires along the length of Water Street frontage and into the West side to complete the destruction of the greater part of India Buildings. Burning material from India Buildings was blown into the damaged buildings on the other side of Water Street and into those to the west and they in turn took fire and were burnt out. The strong wind, the draught up the light courts, stairways and lift shafts, and the dryness of the internal fittings and furnishings towards the end of a season of central heating all contributed to the rapid gutting of the upper eight floors of India Buildings The basement shops in Brunswick Street and Drury Lane and the south west section of the ground floor and mezzanine were also for the most part burnt out. The remainder of the building was damaged by blast but the garage in the basement, apart from the loss of the doors by fire, suffered no fire damage and the cars which the proprietors had been advised to keep at the back of the premises away from the doors were intact.On account of the poor pressure of the water, little could be done above street level and attention was directed to the ground floor premises. These had been protected by internal partition walls from the fall effect of blast and the danger from drifting embers. These premises were, however, menaced by burning debris falling down the light courts and through the sky lights into the ground floor. The saving of Lloyds Bank premises and of the other ground floor offices were the only successes that fell to the fire fighters on the night of trial. For the most part their highly meritorious efforts were made in vain. Their failure to save the upper floors was due to the circumstances over which they had no control - the failure of the water supply. In this, fate treated them unkindly. The India Buildings fire fighting organization had commenced its duties three days before war broke out and the members never let up day or night until the disaster of the 4 May.

ReconstructionPrior to the outbreak of war in 1939 India Buildings was practically fully let and became fully occupied during 1940. This satisfactory position continued until the building was to a large extent destroyed by enemy action on the 4th May, 1941.
Although India Buildings was designed prior to the second world war, the building, with its wide corridors and generous circulating spaces, sensible ceiling heights and large windows, was well conceived and the building would undoubtedly still have been regarded as 'modern' but for certain important factors concerning both the fabric and the equipment which would have caused the building to lose its claim to be modem compared with the new Exchange Buildings and other new commercial buildings which were bound to be erected.
These factors concern the lifts, affecting the accessibility of offices on the upper floors, the inefficiency of the wells as lights courts, resulting in very appreciable loss of natural lighting in the inside premises and the impossibility of adjusting the heating in the various sections of the
building to different conditions of temperature and wind.The opportunity was therefore taken to make such alterations in the design, planning and equipment of the building which once again make it a comfortable and up-to-date business centre, cable of competing successfully with the new commercial buildings.Reconstruction of the building was finally completed early in 1953.


A Video of The Construction of India Buildings



Wednesday 29 September 2010

Arthur Dooley-Remember Him and Save His Studio.

The highlight of 2008, in Liverpool as European Capital of Culture, for me was not a pseudo Klimt expo or a giant spider, but an exhibition staged in the Liverpool Academy. This did not advertise Vienna; it bowed its head with a retrospective of one of Liverpool’s characters, by people who knew him. Someone who dripped passion, a self taught man, who proclaimed himself as an Irish Liverpudlian and was proud of his tough working class background. He made the sculpture Four Lads Who Shook The World in Mathew Street. He was, Arthur Dooley, and how I admire him.
I had sold several pieces of his work and I thought some of it was bad. But one was an amazing bronze Bull on a marble base AD75, that I never was able to part with. Sometimes it’s not about money. This was a journey into the thinking mans mind. An antagonist who took on the establishment and proved he was cleverer than them. For which he was revered, and shunned.
Born in Liverpool in 1929, Dooley worked as a welder on the Ark Royal.
He was working, tirelessly, around Liverpool, right up until his death in 1994. He was a boxer and once came to blows in the Everyman with Arthur Ballard an art teacher who had taught Stewart Sutcliffe.
He created numerous religious figures in polished bronze using unorthodox techniques and unusual interpretations. The Black Christ on Princes Avenue being one, that went down like a lead balloon.
He buttonholed Hesseltine after the Toxteth Riots and pleaded with him “Don’t let them knock down the Albert Dock”.
His first sculpture was made in an army prison in Egypt where he served a sentence for going AWOL. Conflicting reports, one saying he tried to join the PLO.
Upon his unceremonious return from the army, he joined a drawing class at the Whitechapel gallery in London.
He was then employed as a janitor. His job included clearing up after the sculptors and setting up materials, then he began to make his own work...using scraps of metal left over.
His lead cast piece of a crucified Jesus received a good response around the college. From these humble beginnings, in 1962 he exhibited at St Martins Gallery, a stones throw from the college where he had worked. Cast a bronze bull for London weekend’s south bank building. He met the great art critic Greenberg and made several appearances on the "Tonight" programme. I saw an interview he made with Bill Shankly. He dubbed the new Cathedral Paddy’s Wigwam. He was featured on This is Your Life.
When Henry Moore, overworked turned down the Stations of the Cross at the Benedictine Community of Ampleforth Monastery Dooley took up the commission.
Later he would say the shipyard was really my art school.

Deeply concerned about social problems of his day. He was a member of the communist party. He was always an outspoken and immensely religious letting the materials he worked with speak. His workshop in Seel Street is intact. It needs preserving.

Arthur Called this sculpture THE TOWN PLANNER and I have to say it has a resemblence to the current planning officer the Riechmarshal Nigel Lee, who has done more damage than the Luftwaffe.


This is his studio almost intact at 34-36 Seel Street he was a active member of the Liverpool Academy. He campaigned to have the right for Liverpool artists to show their wares outside the Bluecoat. He is slowly being recognised as an important man active in town planning not afraid to have his say.
Remember Him.